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Brooke Burke B-Side - click for closeup

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Brooke Burke
 
2000 - Acrylics and Correction Fluid on Paper

Typically, when one creates an abstract painting, it is paired with an equally abstract name; numbers and "untitleds" tend to be the rule of the day. But why follow those tired, old cliches? I think it's a pretty good idea to name an abstract work after someone in the real world, so I wind up with artwork like Laetitia Casta, Rebecca Smith, and this one. Maybe the next thing to do is slap a serial number on a portrait. "Mona Lisa X." You have to admit, it does have a nice ring. Power to the people, sister.

This painting is a great mix of acrylic paints on thick paper. Since I was putting watercolors on canvas, why not put acrylics on paper? There was a conscious effort to break the picture into quarters, to maintain variety; it was also very important to capture that liquidity, that flowing sense of motion, the Watercanvas paintings provide. I must say it worked very well. My only hang-up is that acrylic paints are an awful mess, especially the way I paint. That's one of the reasons I switched to watercolors.

And Brooke Burke? Be honest now; who among you isn't a fan? I've always admired her work, her determination, and her drive to succeed. The woman is also a hot foxy babe.

Hey, don't tell me she's married. I'll have none of your dad-gum "reality." One of you might send her a copy of this page, and maybe she'll find out about this site, and get in contact with me...hey, a guy can dream, can't he?

Just enjoy the stupid painting, okay?